Imagine Cathy Earnshaw strutting across the moors in red garters and a toile coat—it’s a far cry from Emily Brontë’s vision, but Margot Robbie is rewriting the rules of period drama fashion. And this is the part most people miss: Robbie’s bold sartorial choices for the Wuthering Heights press tour aren’t just about making a statement—they’re a masterclass in blending vintage haute couture with modern audacity. After redefining the press tour playbook with her Barbie looks, Robbie and her stylist, Andrew Mukamal, have once again pushed boundaries, this time by raiding the archives for a piece of fashion history.
For the film’s London photocall, Robbie channeled a fusion of Penny Lane’s bohemian flair and Empress Joséphine’s regal elegance in a John Galliano spring 1992 ensemble. The full-length toile coat, trimmed with pale pink shearling, paired with a black micro miniskirt and a garter belt fastened to red thigh-high hosiery, was a daring departure from Brontë’s austere world. But here’s where it gets controversial: While the look stayed faithful to Galliano’s runway vision, Mukamal swapped Helena Christensen’s two-toned shoes for custom pale silver Malonos—a decision that’s sure to spark debate among fashion purists. Was it a respectful nod to the original design, or a missed opportunity to stay true to the archive?
Robbie’s willingness to take creative liberties mirrors the film’s unconventional costume design, proving that period dressing doesn’t have to be bound by historical accuracy. Whether you love it or loathe it, her approach is undeniably thought-provoking. What do you think? Is Robbie’s reinterpretation of vintage Galliano a genius move, or does it stray too far from the source material? Let’s debate in the comments—this is one fashion moment that demands discussion.
